Depression Books
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Great Gift!Review Date: 2000-06-12
A Book for Encouragement in Difficult DaysReview Date: 2002-04-06


Very well written and conceivedReview Date: 2008-02-19
you can read the book on the web pages (leave a donation if you got something from it)but i reccomend buying and owning the book.
Basically it is a very clear explaination as to how and why we get angry, and what the mistakes and traps we can fall into when trying to 'escape' or pass off our own anger are.
I learnt i had to let go of 'vindictive silence' (where you do or say nothing but behind the scenes you intend to upset the other party). Dr Richmond is religeous (I am not conventionaly) but he does not blindly impose or indoctrinate, he just makes a tremendous amount of logical, useful analaysis and gives very useful direction.
A wonderful buy!Review Date: 2008-06-28
My initial intention of getting this book was not for myself. Yet as soon as I began reading, it caught my attention, and soon I made a discovery: my repressed anger. I put these procedures into practice and passed the book on to some of my friends. They too have found this book to-the-point and very useful in their own particular anger issues.
This book will be appreciated by people who are not seeking hype, but instead are seeking practical, no-nonsense self-help that really works.

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I've Been Proven WrongReview Date: 2003-03-11
There is a moment, in the narrator's imaginings, when a stage hand puts down the props he is moving between scenes and addresses the audience. That is the feeling this novel has--absolutely honest, though there is a play going on all around us.
Buy this book. If the critics have any taste, it will become a classic of "experimental" or "literary" fiction (or some such category, if indeed we don't have to create a new one for it).
A brilliant rumination on the end of modernist artReview Date: 2003-02-07
Aspects begins with Slavitt inventing himself as himself amusing himself. Both the "real" David Slavitt as well as the fictive author come right out and say it: this is writing done for reasons other than pleasing an audience. So, right off, we have the basic 20th century modernist rule, that the source of unique, "original" art is in the individual's discovery of himself, and that art is a physical record of his examination of his relationship to the past, to social orders, to the cultural flow, in other words, to aspects of what he ISN'T.
And yet, as most mid-century "experimental" fiction tried to show, this is rooted in a silly paradox: if everybody did this, it wouldn't be art, would it? Art (and novels) are also qualitative, they demand a degree of selection, the artist must exclude far more than he includes as he marks his esthetic territory. We can argue that what's left out is more important than what's left in, but, when Michelangelo starts chipping off pieces of marble to reveal Moses, it's Moses that we want to see, not the discards, not his frustrating relationships with religious authorities, his sexuality, etc.
Thus, modernist art is part of show business and Aspects of a Novel acknowledges that (by being entertaining, funny, clever and quotable--the title is a fully credited steal from E.M. Foster). Aspects also subverts show business by defying the conventions of what is typically shown. So, as much as it is a record of rumination and self-amusement, it is also an intimate revelation of frustration, despair, pain, selfish cruelty and a great deal of biographic detail that a "real" person could not share socially because this is exactly the kind of thing that is NOT amusing, NOT attractive, NOT inviting, NOT entertaining and certainly does not confirm our hopes for happy endings, virture rewarded, purposeless suffering made noble and meaningful.
And yet, reading the book is great fun, not just for the jokes. Slavitt, like Joyce, assumes his readers are as educated as he is, so some of the jokes might not be apparent if you lack a rudimentary knowledge of the classics and have forgotton some of your college literature survey course. But by calling this a novel and letting the book take shape as it must, it becomes greater than its parts. It is not mere self-amusement, it's not a kvetch, it's NOT about depression, it's what you get when modernism goes as far as it can: a voice speaking, a narrative collage, words on paper that create new experiences regardless of how closely they acknowledge, or subvert artistic expectations.
In other words, Aspects is genuinely, unquestionably and magnificently NOVEL! It's new! There's nothing like it. It's not just a new way of telling old stories, it's also (and here we get the transition to ironic post-modernism) a story about why stories must be told. Slavitt explored similar concepts in his collection, Short Stories are Not Real Life. Here they are introduced again, but in ways that are more interesting, more complicated, more isolated. A stated need for self-amusement, a Quixotic goal of writing a novel that's like no other novel, an acknowledgement that love isn't worth living for and that family is mostly cruelty and inexpressable regret, is revealed in a tale that begins when words begin to slide into themselves, when sounds connect in ways they were not intended, when life becomes both more and less than the author previously believed.

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brilliant!Review Date: 2004-08-27
For all of us who only associated P.E.I. with the idyllic works of L.M. Montgomery (of ANNE OF GREEN GABLES fame), this little collection of Gallant's is a very sharp poke in the eye. You are not going to find fond reminiscences of golden summer days and cozy Christmases. John Gallant tells about his worthless father who refused to do any work and a brother with a suspiciously "sore back" who was much the same. There are stories concerning the parish priest who, through his greed and mean spiritedness, made Gallant question if believing in a religion was really worth the effort. Since Heaven, for Gallant, consisted of enough food to eat and a warm place to sleep, why believe in what didn't exist?
Told in simple terms with honesty and very dry humor, this collection will be sure to please short story enthusiasts, as well as anyone interested in Canada and the Great Depression.
a work of loveReview Date: 2004-07-17
A century and a half of subsistence livings wrung from the sea and the land, plus large Celtic families, has ensured a constant flow of people from this area out across the rest of the continent.
This is a work of love from a talented son, who put together the stories of his father -- raised in P.E.I. during the depression as a "neglected and starving child" -- into an intensely memorable book.
It touches deeply this Prince Edward Island born heart, and speaks to our common human longing for home and rootedness.

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YOU WILL NEVER FORGET THIS BOOKReview Date: 2000-09-10
This book is not just about Ben, per se. It is a book about how suicide affects family members, red flags to watch for and other symptoms of severe depression. She does a good job of describing mental disorders other than depression and it is her loving, yet frank portrayal of Ben that the reader sees behind the Iron Curtain of suicide. It is a very moving book that most likely will bring tears to the eyes of readers. It is one that should be read and taken seriously.
Honest and moving.Review Date: 2000-03-15

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its very good!!!Review Date: 1999-04-30
just to kinda let you know.
Ohhhhhhhh and its good to!
Outstanding!Review Date: 1999-06-07

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If you liked Angela's Ashes, you'll love this bookReview Date: 2005-10-23
ROBERT GREY CLOUD has been many things during his lifetime -- farm hand, door-to-door salesman, store clerk, businessman -- and he can add author to that list. Born in 1912, Robert lived through the times described in this book and his own childhood experiences were the inspiration for Between the Bloods, his first novel. Still seeking new adventures, Robert celebrated his 90th birthday with his first tandem parachute jump. Robert lives in Idaho with his wife of 63 years, Jean.
[Yes, I am related to the author - he is my grandfather]
If you liked Angela's Ashes, you'll love this bookReview Date: 2005-10-23
ROBERT GREY CLOUD has been many things during his lifetime -- farm hand, door-to-door salesman, store clerk, businessman -- and he can add author to that list. Born in 1912, Robert lived through the times described in this book and his own childhood experiences were the inspiration for Between the Bloods, his first novel. Still seeking new adventures, Robert celebrated his 90th birthday with his first tandem parachute jump. Robert lives in Idaho with his wife of 63 years, Jean.
[Yes, I am related to the author - he is my grandfather.]


Very Helpful Series on Depression, Anxiety and StressReview Date: 2008-07-04
A wonderful series on anxiety, depression and OCD.Review Date: 2008-05-21

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This is great reading !Review Date: 2008-12-24
An amazing honest and inspirational journey of the mind.Review Date: 2008-04-18
Cassy

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A review by Erin's father, biased of courseReview Date: 2006-03-10
Inspiring story of a teen suffering from Bipolar disorderReview Date: 2003-11-26
Her poetry is ordered in such a way that the reader is able to perceive Erin's growing feelings that something was not quite right with her. It is very disturbing to realize that medical science had not yet recognized her disorder as a mental illness and that several of the doctors consulted insisted that she stop trying to get attention.
The description of Erin's life, by Phyllis Jean Flowers, adds additional depth of understanding to Erin's conflicts.
I was very moved by the book and felt like I was actually viewing Erin's battle from close-up. I would highly recommend the book to anyone who suffers from Bipolar disorders (manic depression) or has to interact with someone who does.
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